Is
Dancing Scriptural?
Historians have discovered that dancing was
a significant part of temple worship during the time of Yeshua's walk upon the earth. The following are a few examples
of dance in the scriptures:
*In Sh’mot {Exodus} 15:20,
"Miryam the prophet, sister of Aharon, took a tambourine in her hand; and all the women went out after her with tambourines
dancing, as Miryam sang to them: 'Sing to Adonai, for He is exalted! The horse and its rider he threw into the sea!'
*We can see the harvest dances in the book of Shof’tim {Judges}21:20-21,
'They ordered the men of Binyamin, Go hide in the vineyards and keep watch. If the girls of Shiloh come out to do their
dances, then come out of the vineyards and, each of you catch for himself a wife from the Shiloh girls, and go on to the land
of Binyamin."
*Yiftach's daughter danced for joy
at his return Shof’tim {Judges}11:34.
*Sh’mu’el
Bet {2Samuel} 6:14-15 describes how David led the ark of the covenant into Jerusalem when he "danced and spun around
before Adonai wearing a linen ritual vest. So David and all the house of Isra'el brought up the ark of Adonai with
shouting and the sound of the shofar"
*Sh’mu’el
Alef {1 Samuel}21:11 alludes to the children of Israel praising David their king by dancing and singing songs of his heroic
feats .
*Yirmeyahu {Jeremiah 31:13} shows us that G-d's redemption
causes His people to dance with joy. "Then the virgin will dance for joy, young men and old together, for I will turn
their mourning into joy, comfort and gladden them after their sorrow".
*Psalm 149:3 " Let them praise His name with dancing, make melody to Him with tambourine and lyre."
*Psalm 150:4 " Praise Him with tambourines and dancing!"
Why Dance in a Circle?
*The followingexerpts
are from an article in a subscription newsletter called Hebrew Roots published by Dean and Susan Wheelock.
"The Hebrew word chagag (hah-gahg’ Strong’s #2287) means (kindred to
the root chuwg [hoog]) to go round in a circle, hence--
(1) to dance, I Sa. 30:16
(2) to keep a festival, from the idea of leaping, and dancing in sacred dances, Ex. 5:1; Lev. 23:41; especially of a public
assembly, Psal. 42:5.
(3) to reel, to be giddy, used of drunkards, Ps. 107:27
root word chuwg (#2328):
“TO DESCRIBE
A CIRCLE, TO DRAW A CIRCLE, as with a compass.
Two other related
words also yield the same basic theme:
Strong’s # 2329 is spelled and pronounced
the same as #2328, chuwg (hoog):
“a circle, sphere, used of the arch or vault of
the sky,”
Finally there is
the Hebrew word chagah (hah-gah’ Strong’s #2283). According to Strong it means:
“from an unused root mean.(ing) to revolve (compare to 2287 chagag) prop. vertigo, i.e. (fig.) fear;--terror).
Another, more common word associated with the festivals is also derived from
chagag. It is Strong’s #2282 and is the Hebrew word chag (hahg).
Gesenius defines chag as:
(1) “a festival, to keep a festival
(2) “a festival sacrifice, a victim”
Most of the words translated as ‘feast’
in the Hebrew Scriptures come from this word, chag rather than from chagag. The Hebrew words chagag and chag have a root meaning
‘circle;’ which primarily means circle dancing, i.e. typical Jewish traditional dancing as preserved from antiquity.
machol (mah-coal’ = Strong’s #4234) is also used
several times in scripture. It means: “a (round) dance” which comes from another root word (#2342) chul
(hool) which means: “to twist or whirl, to dance."
*It
is also interesting to note that it is a traditional Judaic belief that demonic forces cannot penetrate a circle.
What are the Basics of the Dance?
Davidic/Messianic
dancing is mostly made up of four basic components:
* mayims (also
known as grapevines )
* debkas (bouncy heel-steps)
* yemenites (three-count combos)
* cherkaziyas (forward-and-back steps)
Israeli dance
is an amalgam of the many cultures and peoples which settled in Palestine and then Israel and many of the current Israeli
dance styles come from those cultures (Eastern Europe, Yemen and the Arab countries). Many of the original Israeli dances
that were choreographed by the new immigrants have movements reflecting the work of settling the land of Israel (digging,
building, irrigation and everyday work movements). The songs reflect this spirit as well.
The original sources were Eastern European styles, Arabic and Yemenite. More recently Greek, French, Turkish, Latin,
and even American rock have influenced modern recreational Israeli dance.
As for origins, the hora (a closed circle dance) originated in Rumania, the Yemenite step (from Yemen of course)
is reflective of the way one would move on hot sands; tcherkessia (from Russia) and the debka (Arabic). The other movements
are those which are found in any kind of dance (Israeli, folk, ballet) - be it walk, run, jump,etc
The 'DEBKA' is a style of dance, originally Arabic in origin, and originally done by
men only. It refers to a strong, bouncy style of dance with strong, stacatto like movements. There are however, dozens of
debkas in today's Israeli dance repertoire, many of which, have been choreographed in the last couple of decades, and
aside from their style (strong and bouncy) are not traditional debkas.
The debka step is a specific step used in many debka and debka style dances. It is traditionally done by placing
the heel of one foot forward, and then lifting it slightly and falling forward onto that same foot (usually to the count of
1&). Sometimes 2 or 4 of them, alternating feet are strung together.
HORA refers to a closed circle dance usually spirited in nature. The origin of the Hora is from the Rumanian 'oro'
also a closed circle dance, and was adopted by Israel because the closed circle form represents unity.
"It fitted perfectly the pioneer character of those settlers and the social set-up of
the kibbutz especially. The tightly closed circle, with linked arms and hands on shoulders of neighbors was the exact expression
of the close human relationship between all the members of the community; all...with equal rights and equal value, regardless
of sex or of dancing ability. Simple energetic movements - stamping, jumping and leg swinging...for hours and hours."from
Harikud - the Jewish Dance by Fred Berk 1972 UAHC & AZYF
*In
addition, some Messianic Congregations' dance team leaders have been classically trained in other forms of dance and may
interlace simple steps from those forms to augment their choreography. This, too, is acceptable practice, if done decently
and in order.
Why Messianic Dance Today?
In Jeremiah 31 it speaks of the restoration of the people of Israel back to their land and their God. It says:
"Again I will build you, and you shall be rebuilt, O virgin of Israel!
Again you shall take up your tambourines. And shall go forth to the dances of the merrymakers."(Jer.31:4)
"Hear the word of the LORD, O nations. And declare in the coastlands afar
off, and say, He who scattered Israel will gather him, and keep him, as a shepherd keeps his flock...Then the virgin shall
rejoice in the dance, and the young men and old together: for I will turn their mourning into joy, and will comfort them,
and give them joy for their sorrow." (Jer. 31:10-13)
"To
everything there is a season, and a time to every purpose under the heaven: a time to weep, and a time to laugh; a time to
mourn, and a time to dance ....( Ecclesiastes 3:1,3)
Messianic
dancing is fully a part of the restoration to the things spoken of by the prophets. Dancing is and was clearly intended as
a venue of worship, and many Davidic dancers will tell you it is also a form of spiritual warfare.
Is it for everyone? No, just as not all are given to singing, playing instruments, etc..not
all may be led into the dance. There are many books, videos, and classes available today for those who are interested in learning.
Check with your local Messianic Synagogue to see if they offer dance classes.